When I took part in a virtual production workshop back in Feb. utilizing Unreal Engine environments projected onto LED video walls, it was plain to see that it would be a big part of the future of film & tv. Just 4 months later, I'm thrilled to be a part of "Synthesis," a series that hopes to shoot entirely in a virtual production studio. Their proof-of-concept trailer is happening as I write. And next month, a series I've been shooting in Toronto is also moving into a virtu
When I took part in a virtual production workshop back in Feb. utilizing Unreal Engine environments projected onto LED video walls, it was plain to see that it would be a big part of the future of film & tv. Just 4 months later, I'm thrilled to be a part of "Synthesis," a series that hopes to shoot entirely in a virtual production studio. Their proof-of-concept trailer is happening as I write. And next month, a series I've been shooting in Toronto is also moving into a virtu
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