11. Raag Gauri Chayti (ਗਉੜੀ ਚੇਤੀ)
Gauri Chayti generates a deliberate sensation of fear by creating a conscious reminder of what may occur if we loose the things we take for granted. It awakens feelings of panic and regret, by exposing the listener to the possible outcome of what might happen should this warning not be heeded.
12. Raag Gauri Bairagan (ਗਉੜੀ ਬੈਰਾਗਣਿ)
As the title suggests Gauri ‘Bairagan’ is a Raag of bairaag (sadness of separation). The listener is left with an intense feeling of sorrow and emptiness. However, the balance of Raag Gauri ensures that this sense of loss and sadness motivates the listener to try to discover exactly what is missing. Gauri Bairagan therefore evokes feelings of sadness, which become a lesson, as opposed to creating a sense of depression.
13. Raag Gauri Purbi Deepaki (ਗਉੜੀ ਪੂਰਬੀ ਦੀਪਕੀ)
The tone of this Raag is that of self-assessment with a positive attitude of improvement. It creates an atmosphere of constantly progressing with confidence and experience, as well as instilling a positive belief of enduring achievement.
14. Raag Gauri Majh (ਗਉੜੀ ਮਾਝ)
Gauri Majh is a well-planed emotional ‘act’, which reaches out to fulfil a yearning created by the Raag. This yearning is similar to that of Raag Majh’s regret, hope and anticipation, however in this instance it is created deliberately in order to sway the listener to react to the longing.
Gauri Chayti generates a deliberate sensation of fear by creating a conscious reminder of what may occur if we loose the things we take for granted. It awakens feelings of panic and regret, by exposing the listener to the possible outcome of what might happen should this warning not be heeded.
12. Raag Gauri Bairagan (ਗਉੜੀ ਬੈਰਾਗਣਿ)
As the title suggests Gauri ‘Bairagan’ is a Raag of bairaag (sadness of separation). The listener is left with an intense feeling of sorrow and emptiness. However, the balance of Raag Gauri ensures that this sense of loss and sadness motivates the listener to try to discover exactly what is missing. Gauri Bairagan therefore evokes feelings of sadness, which become a lesson, as opposed to creating a sense of depression.
13. Raag Gauri Purbi Deepaki (ਗਉੜੀ ਪੂਰਬੀ ਦੀਪਕੀ)
The tone of this Raag is that of self-assessment with a positive attitude of improvement. It creates an atmosphere of constantly progressing with confidence and experience, as well as instilling a positive belief of enduring achievement.
14. Raag Gauri Majh (ਗਉੜੀ ਮਾਝ)
Gauri Majh is a well-planed emotional ‘act’, which reaches out to fulfil a yearning created by the Raag. This yearning is similar to that of Raag Majh’s regret, hope and anticipation, however in this instance it is created deliberately in order to sway the listener to react to the longing.
11. Raag Gauri Chayti (ਗਉੜੀ ਚੇਤੀ)
Gauri Chayti generates a deliberate sensation of fear by creating a conscious reminder of what may occur if we loose the things we take for granted. It awakens feelings of panic and regret, by exposing the listener to the possible outcome of what might happen should this warning not be heeded.
12. Raag Gauri Bairagan (ਗਉੜੀ ਬੈਰਾਗਣਿ)
As the title suggests Gauri ‘Bairagan’ is a Raag of bairaag (sadness of separation). The listener is left with an intense feeling of sorrow and emptiness. However, the balance of Raag Gauri ensures that this sense of loss and sadness motivates the listener to try to discover exactly what is missing. Gauri Bairagan therefore evokes feelings of sadness, which become a lesson, as opposed to creating a sense of depression.
13. Raag Gauri Purbi Deepaki (ਗਉੜੀ ਪੂਰਬੀ ਦੀਪਕੀ)
The tone of this Raag is that of self-assessment with a positive attitude of improvement. It creates an atmosphere of constantly progressing with confidence and experience, as well as instilling a positive belief of enduring achievement.
14. Raag Gauri Majh (ਗਉੜੀ ਮਾਝ)
Gauri Majh is a well-planed emotional ‘act’, which reaches out to fulfil a yearning created by the Raag. This yearning is similar to that of Raag Majh’s regret, hope and anticipation, however in this instance it is created deliberately in order to sway the listener to react to the longing.
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