Introduction

This special issue of Management and Organizational History is prompted by a public celebration. It is timed to coincide with 11 November 2018 as the 100-year anniversary of Armistice Day. Articles in this issue of the journal examine the impact that war, as a social, economic and political event, had upon organizational identity and organizational memory. They speak to the broader questions of how organizations understood and rationalized their national, regional, religious or racial identity and behavior in times of conflict, and afterwards in times of peace. Who or what objects, rituals and ceremonies did organizations use to remember and commemorate the lives lost in war – if at all? To what extent were memorials or commemorations special or unique to organizations themselves? Were they embedded within wider systems of meaning? How does the end of conflict and peacetime change these gestures or attitudes toward other nations or groups? To what extent did remembering, or the memory of war, impact upon

organizational identity and behavior after conflict ended?

This style of analysis and the themes discussed here have an established track record in management and organizational studies. Since the ‘historic turn’ in organizational studies, a shift has taken place whereby business historians, and historical analysis more generally, has taken a greater role in explaining shifts and organizational change. Using history in forming organizational identity often involves sense-making by companies (Ravasi and Schultz 2006). Zundel et al. make an important distinction between those firms that focus on the history of the corporation itself and those that see the organization’s history as part of a wider national or international historical context, or history ‘at large’ (Zundel et al., 2016, 221–222). Recent research has included analysis of ceremonies, rituals and objects. Rituals, as historic events, contain rich levels of symbolism and follow a set of established conventions (Dacin, Munir, and Tracey 2010).

Objects, such as ornaments, portraits, other paraphernalia, and even architecture or museums, exist as a manifestation of a collective memory, a historical record of the organization’s past (Decker 2014; Suddaby, Foster and Quinn Trank 2016; Barnes and Newton 2017). They serve as ‘talking points’ to explain organizational culture, an event, or the meaning of an act which has taken place (Ames 1980; Rafaeli and Pratt 1993; Barnes and Newton 2018a). Textual and oral memory forms can be used as memory cues, which enable those in the present to construct organizational identity that complies with current and future requirements (Schultz and Hernes 2013, 4). Moreover, while the past can be used, interpreted and manipulated, it is not always controlled by those with power at the top of the hierarchy (Rowlinson and Hassard 1993; Cox 2008; Maclean et al. 2014).

There is also a wealth of literature on the memory and memorialization of war at the individual, national, European and international level. Mosse (1990) examines the commemoration of soldiers after war, and the role this has in turning war into a sacred event. Winter has written on the importance of war in the collective memory and national identity (Winter 2006, 2014). The role that remembering war has in creating both national and European identities is considered by Niznik (2013). Muller (2002) also asserts that commemorating war has had a key a role in influencing post-war European politics. Others consider an international perspective (Sumartojo and Wellings 2014), while the role of museums in remembering war is considered by Williams (2007) and Kjeldbaek (2009).

Despite interest from historians in the memorialization and commemoration of war, much less has been written about how organizations and corporations remember war, and how remembering (or forgetting) has an influence upon their identity. The articles in this special issue tie the two literatures and two subjects together. The six articles in this issue each have a focus on war, memory and organizations in the twentieth century. We now discuss the contents and themes in more detail.

The contestation between an organization’s identity as a public or private entity is a theme that is well noted by several articles. It was not always clear where the boundaries were between organization, society and the state. Barnes and Newton (2018b) show that while the Bank of England was a private company at this stage in its history (prior to 1946), it acted as if it were a public, national or state entity. It followed the patterns and approaches seen in national memorialization and the activities of public national institutions. The organization behaved in a manner that was evident in organizations controlled and owned by the government and local governments. In Vincent’s (2018)article, an Onondaga Pottery company operating in the state of New York deliberately blurred the lines between the nation’s interests and the company’s own private interest. The company supplied the United States military with both tableware and ceramic landmines during World War 2. Afterward, the company’s management invoked the memory of this service to the nation when lobbying the post-war government to protect the firm from the cheap imports that threatened their profitability and existence. Companies played on the traditional dichotomy between public and private interests in an effort to unify or manipulate responses. The staff members, who made decisions and lobbied for change within the organization, were not insulated from debates in wider society about patriotism, national identity and war. The conversations that took place within the organization or about its business were often part of this general sentiment.

The second theme, which is touched upon be several authors, is that of power and control within the organization. Cox shows that archives, museums and staff-run journals were a way of investing in organizational memory and a memory store. They were methods of creating a collective identity among staff members. In particular, the staff magazine played a key role. This was a ‘bottom-up’ initiative in that the company magazine emerged from correspondence of staff serving in the First World War. It was not an effort that was driven by senior management nor were ideas pushed upon the workforce. Ordinary employees at British American Tobacco (BAT) therefore had a strong voice in forming collective organizational memory. This was also apparent at the Bank of England. Barnes and Newton, moreover, note the role of staff, as opposed to senior management within the Bank, in coordinating their agenda. Overall, the movement to commemorate war and remember other staff members, who had died in the war, was bottom-up. A different story appears in Vincent’s work. She examines the role of corporate participation in wartime production in the formation of a post-war corporate identity.The second theme, which is touched upon be several authors, is that of power and control within the organization. Cox shows that archives, museums and staff-run journals were a way of investing in organizational memory and a memory store. They were methods of creating a collective identity among staff members. In particular, the staff magazine played a key role. This was a ‘bottom-up’ initiative in that the company magazine emerged from correspondence of staff serving in the First World War. It was not an effort that was driven by senior management nor were ideas pushed upon the workforce. Ordinary employees at British American Tobacco (BAT) therefore had a strong voice in forming collective organizational memory. This was also apparent at the Bank of England. Barnes and Newton, moreover, note the role of staff, as opposed to senior management within the Bank, in coordinating their agenda. Overall, the movement to commemorate war and remember other staff members, who had died in the war, was bottom-up. A different story appears in Vincent’s work. She examines the role of corporate participation in wartime production in the formation of a post-war corporate identity.These historic artifacts remain problematic in a society that still feels the effects of the outcome of the Civil War and the enslavement of groups and classes of people. While Hahn tackles the issue of race and discrimination, Deal et al. consider gender. In particular, Deal et al. explores how a masculine culture and gender discrimination arose in this company, in part, from outcomes of the First World War. The practice of war was gendered and the activities undertaken in the predecessor companies that went on to form the post-war British Airways Limited were carried into the new organization – through culture and memory. The paper shines a light on the women involved in early British civil aviation who have been largely overlooked by other studies. In contrast to the other papers in this special issue, Deal et al. considers those staff with a very limited voice – women – who have often been overlooked.

Another theme, which is noticeable, is the emotional response. Feelings of shame, guilt, weakness, pride, victory and triumph were ever present. Most of the papers which appear here adopt an Anglo-American or Commonwealth approach. This perhaps tells us more about this group and, in particular, the ways in which it has singled out the First and Second World Wars as events that it continues to mark, draw attention to and celebrate to this day. As is often said, history is written by winners. It is perhaps more accurate to say that by remembering, re-telling these stories, and recounting the narrative, history is written first, then re-written and re-remembered by the winners. Even so, Cox’s analysis uncovers the very different organizational history in the British American Tobacco Company of the First and Second World War. Collective memory was formed within BAT much more readily during the first global conflict than the second for a variety of reasons. The Second World War was not the triumphant victory we might assume that it would be – or, indeed, that it was in, say, the example of the Bank of England or the American pottery industry.Another theme, which is noticeable, is the emotional response. Feelings of shame, guilt, weakness, pride, victory and triumph were ever present. Most of the papers which appear here adopt an Anglo-American or Commonwealth approach. This perhaps tells us more about this group and, in particular, the ways in which it has singled out the First and Second World Wars as events that it continues to mark, draw attention to and celebrate to this day. As is often said, history is written by winners. It is perhaps more accurate to say that by remembering, re-telling these stories, and recounting the narrative, history is written first, then re-written and re-remembered by the winners. Even so, Cox’s analysis uncovers the very different organizational history in the British American Tobacco Company of the First and Second World War. Collective memory was formed within BAT much more readily during the first global conflict than the second for a variety of reasons. The Second World War was not the triumphant victory we might assume that it would be – or, indeed, that it was in, say, the example of the Bank of England or the American pottery industry.In Hahn’s piece, the debates involved around the memorials to the Civil War are marked by discord and hostility. These objects are numerous and give rise to conflicting accounts of the war and memory of American history. The feelings and emotions, which emanate from the viewing of these artifacts, are directly linked to past treatment, present circumstances and the perception of inequality today. Past and present behavior, which might be considered just or fair by one group, is denounced as shameful by another. While Hahn’s memories of war and the meanings of war memorials are disputed, in Paulson’s (2018) study of Small and Medium-sized Enterprises (SMEs) in Germany and the UK, the emotional reaction to war was largely accepted. The case study firms in Germany were required to rebuild and rejuvenate after the war, in a defeated nation dealing with its shameful recent past, as well as having to focus on a difficult economic, political and social recovery. The firms, despite, or because of, feeling a strong sense of victimhood, reacted to the post-war environment with entrepreneurial creativity. 

https://www.tandfonline.com/doi/full/10.1080/17449359.2018.1549798